• http://2.bp.blogspot.com/_ctz6r_8AYoA/TExUPMKj4qI/AAAAAAAADhk/uooOTZnumAI/s1600/Portada.jpg


    Origine du Groupe : Mexico
    Style : Hip Hop
    Sortie : 2010

    by MCF  From http://www.cabezasunderground.com

    El nuevo material de Guerrilleroz, grupo de rap de Monterrey, Nuevo León, por fin está disponible en descarga gratis. Se nota la madurez tanto en las producciones como en las líricas, el estilo de guerrilleroz siempre ha sido bastante purista y en esta ocasión lo reafirman sin disfraces, algunos beats me remiten a DJ Muggs vs GZA como influencia directa.

    Lo que más me gustó de este disco es que las temáticas se salen de lo común en el rap mexicano, "Donde jugarán los gangstas" que aborda el tema del racismo. En cuanto a colaboraciones destaca una con Serko Fu, hay otra con Apathy que para mi pasa sin pena ni gloria.

    En resumen este es un excelente disco de rap duro, que no busca encontrar el hilo negro ni nada por el estilo, pero cumple su cometido al 100%. Tracklist y descarga después del brinco.


    Tracklist :   
    02.Recuento De Los D-Años
    03.Operación 2Mil10
    04.Hasta Que La Muerte Nos Separe
    05.¿Dónde Jugarán Los Gangstas?
    06.155 Segundos De Barbarie con Apathy
    07.Compas En Crimen
    08.Cambia El Script con Serko Fu
    09.Un Trago Al Suelo
    10.Nadie Nos Detiene con Soldados Del Reyno
    11.GRRZ No Está En Venta
    12.Como Sin Nada
    13.Gracias (Outro)
    14.Hijos De Su Pinche Madre (Bonustrack)


    Tell a Friend

    <script src="http://cdn.widgetserver.com/syndication/subscriber/InsertWidget.js" type="text/javascript"> </script><script type="text/javascript"> // <![CDATA[ if (WIDGETBOX) WIDGETBOX.renderWidget('93ba8a3c-546d-482e-bff3-396fe7e5739b'); // ]]> </script>

    votre commentaire
  • http://bandcamp.com/files/30/30/3030178386-1.jpg



    Origine du Groupe : Canada
    Style : Hip Hop , Abstract Hip Hop
    Sortie : 2010

    DOOM a cappellas + DSTR beats = DOOMSTR EP

    This is not a real collaboration with DOOM. It is a mixtape / mashup EP.
    released 10 July 2010
    Produced & Recorded by DSTR / deStar
    Scratches on "Air (Money Bag Remix)" by DSTR / deStar
    Exec. Producer Christian Bélanger
    Design Christian Bélanger

        Recorded in Montréal (Québec) CANADA, at The Crib Studios.
        Made In Canada
        © DSTR 2010

    Tracklist :   
    1.It Ain't Nuttin' (Climaxin' Remix) 03:01
    2.Vomitspit (Sugar Shack Remix) 02:01
    3.Air (Money Bag Remix) 02:25
    4.Melody (Lord Have Mercy Remix) 01:44
    5.Rock Co.Kane Flow (Gorillas In The Mist Remix) 01:13
    6.Climaxin' 02:43
    7.Sugar Shack 02:01
    8.Money Bag 02:25
    9.Lord Have Mercy 01:44   
    10.Gorillas In The Mist 01:13


    Tell a Friend

    <script src="http://cdn.widgetserver.com/syndication/subscriber/InsertWidget.js" type="text/javascript"> </script><script type="text/javascript"> // <![CDATA[ if (WIDGETBOX) WIDGETBOX.renderWidget('93ba8a3c-546d-482e-bff3-396fe7e5739b'); // ]]> </script>

    votre commentaire
  • http://userserve-ak.last.fm/serve/252/20460595.jpg



    Origine du Groupe : North America
    Style : Hip Hop
    Sortie : 2006

    Planet Asia & Architect have created the hottest joint this year, "Black Majik".
    Checking in as King Medallion & Arch Angel the two have combined the hardcore verses of Planet Asia and the creative soulful sounds of Architect to make what most are calling the best work from both artists. Look for appearances from Del The Funky Homosapien, Rasco, Turbin, and Holocaust.

    by http://www.rockreport.de

    Tracklist :
    01. Intro
    02. Supernova
    03. Black Music
    04. Kausion (feat. Rasco)
    05. Tombstones
    06. Pt. 2
    07. Malcolm X vs Mr. Marcus
    08. Claps
    09. Nonstop/ War Monger
    10. This It
    11. Science
    12. Impulses
    13. Stay
    14. Fallicies (feat. Del The Funky Homosapien)
    15. Precedent
    16. Switch (feat. Holocaust)
    17. Omega (Outro)


    Tell a Friend

    <script type="text/javascript"> // <![CDATA[ aR_BgColor=""; aR_FgColor=""; aR_url=location.href; aR_title=document.title; aR_StarType ='3'; document.write('
    </div>'); document.write('<scr'+'ipt type="text/JavaScript" src="http://addratings.com/aR_BootStrap.js"></scr'+'ipt>'); // ]]> </script>

    votre commentaire
  • http://3.bp.blogspot.com/_tG7l-fV4ubc/ScZpXONOHWI/AAAAAAAAAC4/aQaMyXEaZ-Q/s400/2005287089165945420_rs.jpg


    Origine du Groupe : North America
    Style : Hip Hop Jazz , Groove
    Sortie : 1994

    As one of the few "hip hop bands" on the scene when they emerged in the early 1990s, Bronx outfit Justice System was often compared to the Roots, a likening that probably worked against them as much as it worked in their favor. While their tight jam arrangements and juxtaposition of poetic rap with full-bodied band orchestrations was certainly reminiscent of their Illadeph contemporaries' approach, Justice System had their own sound and were musical innovators in their own right. Their 1994 MCA debut "Rooftop Soundcheck" captures a young, visionary collective with a focused sound, smart production, and top-notch batch of material.

    On "Rooftop Soundcheck," Justice System's sound is equal parts jazzy and funky. The easygoing grooves and instrumentation would certainly garner comparisons to the original Roots crew, but "Rooftop Soundcheck" bears a much more full-bodied and choreographed sound than "Do You Want More?!!!??!" Driven by the sturdily flowing basslines of Coz Boogie and Eric G's energetic percussion, the music is smooth yet lively, marked by a crisp studio polish. I've heard some criticize this record as overproduced, but I find the group's balanced sound to be a strength—each of the instruments and sound elements is clearly distinguishable and comprises a tight, fluid sound. Guitarist Wizard C-Roc laces the songs with his rich funk licks, and the invaluable Mo' Betta Al holds it down on both the tenor sax and Rhodes piano, often on single songs. Individually Justice System is composed of some immensely talented instrumentalists, but together their results are truly extraordinary, bearing a tight and seamless quality rarely found in such hard-jamming bands, and their extended instrumental breaks and interludes provide countless highlights throughout "Rooftop Soundcheck." The LP thrives on its live sound and heavy-swinging arrangements, and the group proves its versatility by exploring a wide range of tempos, moods, and outside contributors—the sly, contagiously upbeat "Just Because" is based upon a killer muted trumpet part, while the deliciously moody "Soulstyle" plays like a rolling thunderstorm with its sparse bass and percussion and snaky sax echoes.

    The punchy, abrasive Folex and the smooth, cerebral Jahbaz make for ideal complements, trading literate, abstract rhymes ripe with the vernaculars of New York's historic neighborhoods and hazy jazz clubs. With thick accents, vivid descriptions of such borough staples as the Hudson and Bronx Rivers, and wistful shouts to old favorites Coltrane, Gillespie, Thelonius, Bambaataa, Simon and Garfunkel, Flash and Caz, and Red Alert, they form a bright yet distant mood for the album, brilliantly creative yet somehow reverent of a far off time and realm. Sporting the chemistry of Phife and Tip and the stylistic vision of Camp Lo's Geechie Suede and Sonny Cheeba, Folex and Jahbaz celebrate the sheer power of live music and their abilities to rock any crowd, all the while boasting artistic spirit that makes it easy to envision them as scat artists or poets had they been born in decades past. "Rooftop Soundcheck" was digitally reissued as "Sounds of the Rooftop," which might be an even more apt title—the warm, mellow vibes make this an optimal listen for a summer evening, and the record oozes with the sounds of a busy, culturally rich city that might best be absorbed on a clear night from a towering rooftop.

    The driving "Due Our Time" and "Trouble On My Mind" are the openers, immediately swallowing the listener with Eric G's expansive rhythms and the band's refreshing chord progressions as Jahbaz and Folex supply dizzying onslaughts of quotables with inspiring levels of conviction:

    "Day after day I awake in the AM
    Think of ways to survive, get my strength from a shaman
    It's the same old, same old, the clock keeps tickin'
    Got a few plans to get paid, but they never kick in
    Damn another heartache, damn another heartbreak
    So many people sleepin' while I'm just steady creepin'
    Through the cracks and the holes tryin' to get some juice
    Did a show or two so that I could get loose
    With the band behind me, cold rock a party
    C plays the line, girls shake their body
    I can see it, I can see it, pray so this'll be it
    Hopin', wishin', thinkin', so see it"

    After the twangy "Flexin' tha Ill Funk" and exuberant "Dedication to Bambaataa" comes the single "Summer in the City," a warm weather anthem colorfully portraying a hot July Saturday giving way to a mild midsummer's evening, moving from the park to the basketball court to the street and back to a house party:

    "Put your Timberland boots back under your bed
    And buy yourself some Nike Wait-a-Minutes instead
    So we can play ball for a little fun
    I'll rock the sport full court or even just twenty-one
    The playground is the place for mad kids to gather 'round
    Freaks, I mean queens, on the side lookin' rather phat
    So give me that booty back and take my beeper number
    So we can swing the whole damn summer"

    While the block party vibe of the original is more immediately irresistible, I actually prefer the subsequent "Sunshine Blend," a sparser arrangement buoyed by a staticky drum loop with laidback pipes and trumpet. "The Ill River Expedition" is less sunny but equally visual, allowing shine for both the MCs and the band with an extended instrumental outro. The tempo kicks up on the playful "Justice Funkin'," the rich, snarling jazz of "Take It to the Stage," and "Just Because," a lighthearted player's avowal:

    "I did not hear her call me, I had the headphones on me
    Sippin' on some coffee listenin' to some Sade
    Ten AM on the dot, coolin' at my favorite spot
    All my problems are forgotten as I'm shakin' to the sound
    On the ground I dropped my Discman, damn, what a switch, man
    She looked at me and this man froze in his toes
    She said, 'Ayo Jahbaz, man, you're the one that has that
    Summer in the City, yes, I've seen the video'
    I said, 'Now hold up, wait a minute
    A video a minute and I do want to get with it
    'Cause your body is bodacious, my schedule's kind of spacious
    I'll put you in between my Vibe and Source interviews'
    But then my beeper blows up, damn, I gotta close up
    Shop, I'm dedicated to my hip hop
    Not frontin' I'm flossin', from Broadway to Shaw, son
    My name is John Dawson and I got to move on, so kick it"

    The aforementioned "Soulstyle" may be the record's highlight, a delightful groove that's as eerie as it is exhilaratingly smooth. Jahbaz shines rapping softly in double time:

    "Versatility in verse, or is it straight originality
    I quote a black poet 'cause he stocked up on reality
    Justice System terrorist, the people wanna get with this
    B-boy fashion, vocal vibe mentality
    In my neighborhood the word is that Jahbaz be gettin' props
    Praise and accolades because the skills I have are tops
    Like a stallion, sportin' my medallion
    Justice System funkin' like a stack of rotten scallions
    I wear the funk like a fashion plate
    So you can recognize the program from state to state
    You can by the whole album but just like the dils-nick
    Please don't bite the style, now chill kid, chill kid"

    Despite a fiercely loyal club following, Justice System struggled to find airplay and was quickly dropped by MCA, relegated to the indies for subsequent efforts. With just a few reissues since its 1994 release, "Rooftop Soundcheck" remains a criminally overlooked record years ahead of its time; an expansive, stylish exhibition in superb songwriting and spectacular playing with hardly a second of skip material. Listeners still sleeping should graciously accept a late pass and prepare to lose themselves in the sounds of the rooftop.

    by Pete T. for  www.RapReviews.com

    Tracklist :
    1. Due Our Time
    2. Trouble on My Mind
    3. Flexin' tha Ill Funk
    4. Dedication to Bambaataa
    5. Summer in the City
    6. Santana
    7. Ill-River Expedition
    8. Justice Funkin'
    9. Jacquelina
    10. Just Because
    11. Soulstyle
    12. Take It to the Stage
    13. Summer in the City [Sunshine Blend]


    Tell a Friend

    <script type="text/javascript"> // <![CDATA[ aR_BgColor=""; aR_FgColor=""; aR_url=location.href; aR_title=document.title; aR_StarType ='3'; document.write('
    </div>'); document.write('<scr'+'ipt type="text/JavaScript" src="http://addratings.com/aR_BootStrap.js"></scr'+'ipt>'); // ]]> </script>

    votre commentaire
  • http://www.tunecore.com/images/artwork/complete/web/17/90/05/179005.jpg?1245368547



    Origine du Groupe : North America
    Style : Hip Hop
    Sortie : 2009

    From Official Myspace :
    Hailing from Virginia, Atari Blitzkrieg has been recording and producing since 1995 but due to real life situations didn't release his first single until 2007. The Rokkonorrottenhell single featured hip-hop icon Royce Da 5'9, Groovie Mann from the industrial band My Life with the Thrill Kill Kult and producer Krohme.

    Since then, he has released close to 200 songs, has unveiled 16 EP's. 3 full-length albums, numerous guest appearances, produced a few songs for other artists including Ryu of Styles of Beyond and Little Indian and has worked with some of the biggest names in underground hip-hop; Daedelus, Rapper Pooh, Louis Logic, Vast Aire, Roc C, LMNO, Breez Evahflowin, Motion Man, Wildchild, Mr. Len, Blockhead, Moka Only, 4th Disciple & Bronze Nazareth to name a few. He continues to evolve his sound and blur genres while keeping his core principles; technology, violence, corruption and post-apocalyptic dystopia's intact.

    He has been featured in magazines and websites across the world, was selected as an URB Next 1000 and recently saw a track off of The Melancholy Tales of Extraordinary Robot Avengers licensed for use in an upcoming indie film.

    Tracklist :
    1. Welcome to the Now
    2. Today’s Horror Show
    3. Third Finger Salute
    4. Subconscious Tales of Dream Kids in Utero/Kill Everybody
    5. The Cry From Within feat. Vast Aire, Breez Evahflowin’, LMNO & Krohme
    6. It’s 12 O’Clock Do You Know Where Your God Is?
    7. Hedcraktopen
    8. Touch the Big Star
    9. Profile: Julius Jackson/Amethyst
    10. Wheres Your Eye feat. Akrobatik & Existereo
    11. Knock Knock Bastard Face feat. Louis Logic & Roc C
    12. I’m the Awesomest My Friends
    13. Swhyneflew/The Voices In My Head
    14. WTF!!!
    15. Blood Coffee feat. Moka Only/Blood Pudding
    16. Sunday Mourning
    17. Faithful Visionaries
    18. The Central Parking Lot Rangers feat. Vast Aire
    19. Ragnarok feat. Mike McTernan of Damnation A.D.



    Tell a Friend

    <script type="text/javascript"> // <![CDATA[ aR_BgColor=""; aR_FgColor=""; aR_url=location.href; aR_title=document.title; aR_StarType ='3'; document.write('
    </div>'); document.write('<scr'+'ipt type="text/JavaScript" src="http://addratings.com/aR_BootStrap.js"></scr'+'ipt>'); // ]]> </script>

    votre commentaire

    Suivre le flux RSS des articles de cette rubrique
    Suivre le flux RSS des commentaires de cette rubrique