Note :

 

http://www.russendisko.de

http://www.myspace.com/russendiskoberlin

 

Sortie : 2004

Style : World , World , WORLD !!!!

 

Tracklist :

01 5Nizza - Soldat
02 Oleg Skripka - Im Frühlingswald
03 Nol' - Ich laufe. Ich Rauche
04 Pelagea - Kossack
05 Zak May & Shiva - Viel Glück Im Privatleben
06 Dr. Bajan - Moldavaneska
07 Paperny T.A.M. - Tänze
08 Leonid Soybelman - Nur Einmal Im Leben
09 Amsterdam Klezmer Band - Der Traum
10 Horonko Orchester - Tschubtschik
11 Markscheider Kunst - Kokeiro
12 Sveta Kolibaba - Nicht Mit Mir
13 Wolga Wolga - Mein Böser Tod
14 RotFront - Zhenya
15 Leningrad - Terminator
16 La Minor - Die Bären

 

 

 

 

Berlín, Alemania. El autor y periodista Wladimir Kaminer de Moscú y el DJ Yuriy Gurzhy de Ucrania emigraron a Berlín en la década de 1990, que irrumpió en la escena del club nocturno de Berlín con su Russendisko en 1999. Lo que comenzó como una fiesta se convirtió en un éxito internacional y ha creado un gran interés en la música de Europa Oriental. Russendisko combina canciones rusas con un poderoso ritmo que atrae a todos a la pista de baile. Es similar a una mezcla de ska jugado en el acordeón, o la polka, con un riff de reggae, salsa, ragga o música gypsy balkánica.

por D@vid Ragga

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Note :

http://ghaliabenali.com

Sortie : 2001
Style : World , Arabic

Tracklist :
1. Divas
2. Tiflatan Arabiyan
3. Baidha
4. Hanine
5. Awaddu
6. Luiza
7. Apsara/Dinera
8. Leyca 9. Shaima
10. Anissia
11. Kaalia
12. Ya Rachiq
13. Oyrana




Ghalia Benali from Tunisia is one of the musical surprises to emerge from the Arab world at the turn of the millennium. A successful actress, she played a leading role in the film "La saison des hommes". Her highly acclaimed concerts in Tunis, Paris and Brussels had the record companies queuing to sign her up, but she preferred to wait until she had found her dream line-up. And now she has - Timnaa is an international ensemble whose virtuoso fiddles, flamenco guitars and Arab percussion carry her expressively smoky and profoundly emotional voice from Tunisia to Andalusia and back again, via the Balkans and Brazil. Ghalia herself describes her new project as "Arab music in new forms, sometimes festive but never profane, occasionally ro-mantic and elegiac, or even classical and medieval, and sometimes wild and over the top - a passport to many cultures, a microcosm that merges the centuries into some-thing new".
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Note :

http://www.vieuxfarkatoure.com

Sortie : 2007
Style : World Mali

Tracklist :
01 - Fafa
02 - Aï Haïra
03 - Souba Souba
04 - Sarama
05 - Walé
06 - Slow Jam
07 - Mali
08 - Diaraby Magni
09 - Chérie Lé
10 - Paradise
11 - Fafa (Reprise)

Note :

Sortie : 1976
Style : World , Psychedelic

Tracklist :
1. Maha-Samana
2. Sannyasin
3. Yamabushi
4. Sannyasin Two
5. Bhikkhu
6. Sannyasin Three
 7. Tri-Dandin
8. Chakka













Dhammapada is a John Mayer work that was commissioned by EMI in 1976 but remained unreleased for 30 years. His work with Joe Harriott on Indo-Jazz Suite and Indo-Jazz Fusions is justifiably lauded, but Dhammapada expands on his East-West fusion by adding instrumentation not just from India (sitar, sarod, tabla) but also from Japan and China (koto and cheng, respectively) to his British jazz combo (sax/clarinet, trumpet, flute, piano, bass). In addition to drums and tabla, he utilizes a trio of percussionists who play everything from glockenspiel to marimba to temple bells. He also makes use of Japanese and Chinese scales in addition to his Indian classical influences. The results are amazing. The seemingly odd instrumentation works surprisingly well together as an ensemble, and Mayer's enormous talents as both composer and arranger really come to the fore. The longer pieces play like suites within a suite, with thoroughly composed sections seamlessly giving way to jazzy improvisational solos and musical conversations (for example, the trumpet/sitar dialogue on "Maha-Samana") before the introduction of new themes. Mayer's use of polyrhythms and counterpoint is fantastic and the band's ability to transition from chamber ensemble precision to jazz-rock vamping is incredible. There are no lengthy solos to speak of; the playing is concise and extremely focused but everyone gets a turn. The longer pieces are separated from each other by progressively more elaborate arrangements of the same theme inspired by "Rag Kafi," "Sannyasin." Starting with just glockenspiel and crotales (basically bells), sax is added, then galloping bass and percussion. These pieces keep the album tied together nicely thematically, and also highlight Mayer's arranging skills. The recording itself is also excellent -- crisp and clear, taking full advantage of the stereo spectrum so each instrument is clearly identifiable with no muddiness in the mix (no easy task with a 13-piece ensemble). That this album sat unreleased for 30 years is almost a crime. It's a brilliant, groundbreaking work that sounds fresh even after languishing for three decades. It's a shame that Mayer didn't live to see the eventual release of Dhammapada. It could well be his finest achievement.
~ Sean Westergaard
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Note :

Sortie : 1976
Style : World music , South Africa

Tracklist :
 1   Tamatie yoyo no. 3
 2   Langa more
 3   Emarabini
 4   Sekusile
 5   Insizwa
 6   Amangwane
 7   Jimmy
 8   Isinkwa no fishi
 9   Sihamba kancane
10  Izinto ezinhle
11  Umtshi tshimbo
12  Umlando
13  Soze ndende
14  Lomfazi uyangihlupha
15  Izintombi zika Mogatusi
16  Amahlokohloko
17  Bayangi zonda
18  Rosie

thanks http://globalgroovers.blogspot.com