• http://i41.servimg.com/u/f41/09/01/67/12/dimelo10.jpg

    Note :

    http://www.lastfm.fr/music/Di+Melo

    http://www.myspace.com/wwwmyspacecomdimelo

    Origine du groupe : Brazil

    Style : World Music , Groove, Soul, Funk , Bossa Nova

    Sortie : 1975

    Tracklist :

    1. Kilariô
    2. a vida em seus métodos diz calma
    3. aceito tudo
    4. conformópolis
    5. má-lida
    6. sementes
    7. penalonga
    8. minha estrela
    9. se o mundo acabasse em mel
    10. alma gêmea
    11. joão
    12. indecisão

    00000000000000DOWNLOAD

    One of the classics of the Odeon era in Brazil, a samba-funk nugget that's brimful of sunny, funky tracks. Arrangements are by Hermeto Pascoal, another musical genius from Brazil, and the mix of funky horns and electric keyboards doesn't get too much in the way of the acoustic guitar and viola on the tracks which are definitely half-way between brazilian funk-soul and MPB.
    The heavy groove is present all the way through, without getting too formulaic or being a mere imitation of the American sound —so don't pass this unique record, right on time for the warmer days!
    Enjoy it!
    by Greg
    permalink  Thanks ! http://oufarkhan.blogspot.com


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  • http://pic20.picturetrail.com/VOL172/9333837/22502925/380133911.jpg

    Note :

    http://www.myspace.com/rajery

    Origine du Groupe : Madagascar

    Style : World Music

    Sortie : 2001

    Tracklist :

    1- Misahotaka Ny Akama
    2- Realy
    3- Sarotra Ny Miaina
    4-Mandry Ve?
    5- Ny Fitiavako
    7- Vonjeo
    8- Mainte
    9- Vavaka
    10- Gasikara
    11- Hanatra
    12- Mamy Kha

    Musiciens / Band
    Rajery (Germain Randrianarisoa) : valiha, chant
    Jean Charles Razanakoto : guitare, chant
    Raymond Rakotoarisoa : percussions, chant
    Tôty (Olivier Andriamampianina) : guitare basse, chant, arrangement, guitare, persussions

    00000000000000DOWNLOAD


    En septembre 2001 sort son second opus "Fanamby" (le défi), dans lequel Rajery et son quartet nous offrent un album d'une rare authenticité. Un disque acoustique avec lequel ils réussissent le fanamby d'une fusion entre l'héritage musical malgache et leur propre culture musicale. Les polyphonies 'a cappella' que le groupe Senge nous avaient fait découvrir côtoient les rythmes chaloupés du Salegy de Jaojoby, le blues mélodique des Hauts-Plateaux est évoqué comme les rythmes entêtants des danses Antandroy ou le groove du rija Betsileo.

    par Sourakhata

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  • http://www.parisdjs.com/images/farout/Gilles_Peterson-Brazilika_b.jpg

    Note :

    http://www.gillespetersonworldwide.com

    http://www.myspace.com/gillespeterson

    Origine du Groupe : Brazil , United Kingdom

    Style : World Music Electro , Remix

    Sortie : 2009

    Tracklist :

    01. Intro - Azymuth - Manha (Demo)
    02. Friends From Rio 2 feat. Celia Vaz - Os Escravos Do Jo
    03. Jose Mauro - Obnoxious
    04. Krishnanda - Esta Tudo Ai
    05. The Ipanemas - Canto Pra Oxum (Song For Oxum)
    06. Clara Moreno - Deixa Nega Gingar
    07. Sidney Miller - E Isso Ai
    08. The Ipanemas - Malandro Quando Vaza
    09. Grupo Batuque - Berimbal (Capoeira)
    10. Aleuda - Galope
    11. Krishnanda - Quem Sou Eu
    12. Democustico - Vagalume
    13. Azymuth - Melo Dos Dois Bicudos
    14. Binario - Balinha
    15. Joyce, Nana Vasconcelos, Mauricio Maestro - Chegada
    16. Friends From Rio 1 feat. Celia Vaz - Fransisco Cat (Pressure Drop Remix)
    17. Arthur Verocai - Tudo Do Bom (Domu Mash Reedit) (*)
    18. Grupo Batuque - Na Batida Do Agogo (Osunlade Remix)
    19. Azymuth - Depois Do Carnival (Spiritual South Remix) (*)
    20. Jose Carretas feat. Zeep - Memories (*)
    21. Joyce - Fejao Com Arroz (Bass Line Mix) (*)
    22. Jose Roberto Bertrami & His Modern Sound - Joana
    23. Alex Malheiros And Banda Utopia feat. Sabrina Malheiros - Uno Esta (*)

    00000000000000DOWNLOAD


    World renowned BBC Radio 1 DJ Gilles Peterson compiles a spectacular collage mix tape from the vaults of Far Out Recordings for this fifteenth anniversary celebration. A close friend to Joe Davis for 25 years, Gilles Peterson has been a constant supporter of the original and best UK based Brazilian record label. The pair released the original "Brazilika" compilation on Gilles' Talking Loud label 15 years ago and now go full circle with the fourth installment in Far Out's series, following block party mixes from Kenny Dope, 4 Hero  and Andy Votel. Brazilian music aficionados Peterson and Davis introduced a new generation to the cream of Brazil's bossa and post-bossa artists and here expertly blend the cream of the timeless with the new breed from Far Out's vast catalogue. Gilles Peterson's "Brazilika" includes five exclusive unreleased tracks and is the definitive collection of Far Out's work, taking us on a breathless ride through a beautiful, barmy Brazil.

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  • http://www.palestineonlinestore.com/music/nathaliehandalspell200.jpg

    Note :

    http://www.nathaliehandal.com

    http://www.myspace.com/willsolima

    Origine du Groupe : Palestine , Egypt

    Style : Poetry , World Music

    Sortie : 2006

    Tracklist :

    [.01.] Amrika
    [.02.] Listen, Tonight
    [.03.] Rachel's War
    [.04.] Ephratha
    [.05.] Wall Against Our Breath
    [.06.] Abu Jamal's Olive Trees
    [.07.] Maher Salem's Deaf Father
    [.08.] Will Soliman Solo
    [.09.] Electric Arabiya
    [.10.] Quest for Pale Sand
    [.11.] Spell, sung by Fawzia Afzal-Khan
    [.12.] Spell

    00000000000000DOWNLOAD

    One of New York’s most gifted young poets (Lives of Rain, 2005, Interlink) has teamed
    with multi-instrumentalist Will Soliman to join literature and music in a spare, intense
    performance of understated emotional power that will surprise, delight and stun. Drawing
    from published and new poetry, Handal explores themes that resonate with identities,
    departures, losses and closely guarded aspirations, all coming out of her
    Palestinian/American/Hispanic tossed salad of experiences. Her voice is in complete
    command of her words, alternately forceful, tender, silky or indignant at injustice,
    slipping amid English, French, Arabic and Spanish just enough to keep the listener
    slightly off balance, not quite comfortable—for this is not a poetry of comfort—and as
    rhythmic as Soliman’s atmospheric, often restrained accompaniments. Together they
    produce an art that transcends the artists themselves, calling up recollections of Gil Scott-
    Heron’s iconic musical poetry of African-American life in the 1960’s and 1970’s and
    John Trudell’s white-hot poems, backed by Lakota song, from Native American
    experience of the 1980’s.
    by Dick Doughty
    Saudi Aramco World

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  • http://4.bp.blogspot.com/_WLfiy23moH8/S0t4crH8zFI/AAAAAAAAA7A/1-l2KVPjqIo/s200/borito.jpg

    Note :

    http://www.lastfm.fr/music/Mezei-Bakos-Mezei

    Origine du Groupe : Hungary

    Style : World Music , Folk

    Sortie : 2003

    Tracklist :

    01. Adjon Isten rózsáim
    02. Nekünk a legszebbik estét
    03. Elmegyek elmegyek
    04. Búzaszemet szed a galamb
    05. Veress az ég
    06. Verjen meg az Isten
    07. Készülj lovam készülj
    08. Én vagyok az aki nem jó
    09. Édesapám s anyám
    10. Fejér retek fekete
    11. Az éjjel álmomban
    12. Mikor leány voltam
    13. Szent István köszöntö
    14. Édesanyám valahára
    15. Kelj fel keresztény lélek
    16. Zöld az erdő

    00000000000000DOWNLOAD

    The trio playing Hungarian folk music from the Voivodina. Flows out primarily onto the Moldavian folk music from his musical instrument combination concentrates. From Bakos Árpád complex folk musician and theatre musician working class, the actress's and directing Mezei Kinga specific folksong singing attitude and the composer's fields firm Improvisate one and free-jazz a folk music world interpreted peculiarly emerges from his musician attitude. The trio's capital aim a so folk music processing manner, which tries to remain loyal to the original diction,, at the same time in the Hungarian folk music like that present tries to make the music today's one and a living person through an improvisation naturally.

    by http://bluesmen-worldmusic.blogspot.com

    THANKS !


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