• http://cover7.cduniverse.com/CDUCoverArt/Music/19/8207019.jpg

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    http://andreadbluesband.com

    http://www.myspace.com/andreadbluesband


    This album is a collaboration between Tom the songwriter and Andrea the singer. Tom had written some songs he wanted recorded and Andrea was ready to put out her first CD. We used some of the best musicians and studio for this recording. Andrea's slogan is from "Downhome Blues to Uptown Jazz". To please the most of her fans we recorded this "Uptown Blues" CD. This CD has a wide variety of types of Blues. The CD contains shuffle, soul, jazz, swing among other in fluences. It even has a "New Orleans Funeral March" Blues

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    Origine du Groupe : North America
    Style : Soul Blues , Jazz
    Sortie : 2010


    Tracklist :
    01. Watch Me Burn
    02. Fool For You
    03. Dead Love
    04. Laugh At the Blues
    05. Dark Days
    06. Another You
    07. Less Left of Me
    08. Wish You Were Here
    09. Not Much
    10. Memory To Me

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  • http://ecx.images-amazon.com/images/I/41Pjh02pDXL.jpg

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    http://www.bettyelavette.com

    En 1962, une jeune femme de 16 ans faisait parler d'elle aux Etats-Unis pour son single "My Man - He's a Lovin' Man". Il s'agissait de Bettye LaVette, dont la voix fait partie de celles qui ne s'oublient pas. Et pourtant, cette native du Michigan, qui a grandi à Detroit, n'a jamais eu la chance d'embrasser la carrière de Tina Turner et d'Aretha Franklin. La vie réserve parfois son lot de déceptions, même si la chanteuse n'a pas eu à rougir de son parcours, qui lui a permis d'assurer des dizaines de concerts à travers le monde et d'enregistrer une série d'albums. Pour "Interpretations: The British Rock Songbook", elle a fait le choix de miser sur les reprises.

    S'attaquer aux répertoires de Pink Floyd, McCartney et Elton John est sacrément culotté. Mais, avec ses airs de femme épanouie et son timbre patiné et puissant, Bettye LaVette n'a pas eu peur. Elle a eu raison : ses 13 chansons, mariage d'esprit musical britannique et de sonorités soul, jazz et R&B américain, donnent un second souffle aux morceaux originels. Pete Townshend des Who aurait même avoué avoir pleuré en entendant, lors d'un concert, la reprise de "Love, Reign o'er Me", initialement enregistré en 1972. Soit il est devenu un peu trop sensible, soit le talent de Bettye LaVette donne des ailes à son auditoire. Nous penchons pour la seconde hypothèse.

    Par Vannier
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    Origine du Groupe : North America
    Style : Blues Soul
    Sortie : 2010
    Tracklist :
    1 · The Word
    2 · No Time to Live
    3 · Don't Let Me Be Misunderstood
    4 · All My Love
    5 · Isn't It A Pity
    6 · Wish You Were Here
    7 · It Don't Come Easy
    8 · Maybe I'm Amazed
    9 · Salt of the Earth
    10 · Nights In White Satin
    11 · Why Does Love Got to Be so Sad
    12 · Don't Let the Sun Go Down on Me
    13 · Love Reign O'Er Me

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  • http://www.wirz.de/music/whitejos/grafik/harlem4.jpg

    Note :

    Origine du Groupe : North America

    Style : Blues

    Sortie : 1940

    Tracklist :
    01 Careless Love
    02 Prison Bound
    03 Hard Time Blues
    04 Monday, Tuesday, Wednesday
    05 Motherless Children (part 1)
    06 Motherless Children (part 2)

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    Joshua Daniel White (February 11, 1914–-September 5, 1969), best known as Josh White, was a legendary American singer, guitarist, songwriter, actor, and civil rights activist. He was also known by the name "J King".

    White's anti-segregationist and international human rights political stance presented in many of his recordings and in his speeches at rallies resulted in the right-wing McCarthyites incorrectly assuming that he must have been a Communist. Accordingly, from 1947 through the mid 1960s, White was caught in the vise grip of the anti-Communist Red Scare, and combined with his resulting attempt to clear his name, his career was harmed immeasurably. However, regardless of the purists' debate over the artistic change in his presentation or from those who opposed his politics, White unarguably inspired several generations of guitarists with his new and unique stylings and techniques, and is cited as a major musical and social influence by dozens of future stars.

    "Harlem Blues" was a set of three 78 rpm singles, recorded March 7, 1940 in New York City

    by Zero G Sound (Thanks !!!)
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    More info : http://en.wikipedia.org/wiki/Josh_White


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  • http://alexis-korner.net/lost.jpg

    Note :

     

    http://alexis-korner.net

    http://www.myspace.com/alexiskorner

     

    Sortie : 1977

    Style : Blues , Soul , Groove

     

    Tracklist :

    1. Lend Me Some Time (Korner) 3:48
    2. Daytime Song (Korner) 4:44
    3. New Orleans (Korner/Hodgkinson) 2:49
    4. Medley
    Hit The Road Jack (Mayfield) ~ Working In A Coalmine (Toussaint) 5:01
    5. Honour The Young Man (Korner) 2:49
    6. The Road Is The Road (Korner) 4:05
    7. Sweet Sympathy (Korner) 4:24
    8. The Gambler (Andrew) 4:37
    9. To Whom It May Concern (Korner) 3:27

     
    Alexis Korner: vocals, guitar
    Jim Diamond: backing vocals
    Jimmy Litherland: guitar
    Danny McIntosh: guitar
    Cliff Williams: bass
    Graham Broad: drums

    Produced, engineered and mixed by Dave Anderson
    Cover design: Gunther Kempf

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    Alexis Korner, 19 avril 1928, Paris - 1er janvier 1984, Londres. De son vrai nom Alexis Koerner est l'un des grands maîtres du blues britannique. Il est guitariste et chanteur de jazz, blues et rhythm and blues britannique . Pionnier du rhythm & blues blanc et électrique anglais, il a accueilli au sein de sa formation The Blues Incorporated de futurs membres des Rolling Stones, The Bluesbreakers, Cream, Led Zeppelin, etc.

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  • Front.jpg
    Swamp Walkin' Charlie

    Welfare Woman


    http://www.myspace.com/thealstrozierband

    The Al Strozier Band @ MySpace Born in 1942, Al was the oldest of the brothers and the most musically prolific. Highlights of his lengthy career include a year with the Soul Stirrers alongside Sam Cooke and being a founding member of Gladys Knight and the Pips, playing with them from their formation until they left Atlanta. He also founded the legendary Houserockers with Luther Johnson and, due to his serious skills on the harmonica, spent over three decades supporting blues artists like Little Richard, Clarence Gatemouth Brown, Billy Wright and BB King. He's still going strong to this day in his native GA with the Al Strozier Band, playing a mix of R&B, blues and soul originals. Clyde Strozier ca. 2005 Source: Georgia Council for the Arts Clyde, born in 1946, was the middle kid. He started playing blues guitar when he was 9 and prior to forming this group with his brothers had been a member of The Tams and played in bands behind Curtis Mayfield and Martha & The Vandellas. According to him, it was really brother Al who wrote The Tams' biggest hit "Be Young, Be Foolish, Be Happy" and not the writers credited (Whitley & Cobb) who "stole" it. Sucks to be Al since that slice of upbeat soul found longevity thanks to the Northern Soul crowd and can be heard on Kent's excellent Shoes compilation. Clyde still works the Atlanta blues scene, although in contrast to his elder brother's band he specialises in a much rootsier brand of acoustic folk-blues. He recently spent time as a Master Artist with the Georgia Council of the Arts' Traditional Art Apprenticeship program, preserving the blues art form by assisting in the development of younger players. Curtis was the youngest of the brood, born a year after Clyde and as often happens with the baby of the bunch, there was nothing left for him at the table when they passed out internet biographies.
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    Note :
    Sortie : 1974

    Clyde Strozier - vocals, guitar ,bass
    Curtis Strozier - drums
    Abner Strozier - harmonica, vocals on "Swamp Walkin' Charlie"

    Tracklist :
    1 Red Light
    2 Mo-Jo-Georgia Woman
    3 Swamp Walkin' Charlie
    4 Big Boss Man
     5 Honest I Do
    6 Oh Baby You Don't Have To Go
    7 Welfare Woman
    8 Love Shortage
    9 Let's Have A Party
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