• http://2.bp.blogspot.com/_G3-DHnMOeog/TSAACsS9g2I/AAAAAAAAFJQ/sI2RTVuGxr0/s1600/d2.jpeg

    http://www.dianakrall.com

    http://www.myspace.com/dianakrall

    Origine du Groupe : Canada
    Style : Jazz
    Sortie : 2004

    From Wikipedia :
    Diana Jean Krall, OC, OBC (born November 16, 1964) is a Canadian jazz pianist and singer, known for her contralto vocals.[2] She has sold more than 6 million albums in the US and over 15 million worldwide; altogether, she has sold more albums than any other female jazz artist during the 1990s and 2000s. On December 11, 2009, Billboard magazine named her the second Jazz artist of the 2000–2009 decade, establishing herself as one of the best-selling artists of her time. She is the only jazz singer to have eight albums debuting at the top of the Billboard Jazz Albums.[3] To date, she has won three Grammy Awards and eight Juno Awards.






    Tracklist :
    01. Intro
    02. Stop this world
    03. The Girl In The Other Room
    04. Narrow Daylight
    05. Temptation
    06. Interview
    07. Love me like A man

    hd dvd rw

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  • http://img.snowrecords.com/lp/4/33214.jpg

    http://www.michaelcarvin.com

    Origine du Groupe : North America
    Style : Jazz
    Sortie : 1975

    By http://www.jazzloft.com

    This is another debut album of a young talent that came out of Nils Winther's NY recording trip of '75. Michael Carvin - who had played in numerous Motown recordings with the label's stars like Stevie Wonder - was beginning to be recognized also as a jazz drummer on the New York scene playing in the Hampton Hawes Trio in the early 70s.

    As the leader of a band consisting of the Big Apple's rising stars, Carvin cut an album with "an overwhelming feeling of sheer musical competence...." (Jazz Journal). Features Sonny Fortune.

     


    Line Up :
    Sonny Fortune (alto sax, soprano sax)
    Calvin Hill (bass)
    Cecil Bridgewater (trumpet)
    Ron Burton (piano)
    Michael Carvin (drums)

    Tracklist :
    1. Osun
    2. Naima
    3. Kwebena's Blues
    4. M. C. Blues
    5. The Camel
    6. Billy Boy
    7. Osun

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  • http://www.jazz.com/assets/2008/3/6/albumcoverBennyGolson-Free.jpg?1204789018

    http://www.bennygolson.com

    Origine du Groupe : North America
    Style : Jazz
    Sortie : 1962

    Les six premières plages correspondent effectivement à la session "Free" dans laquelle Golson souffle avec véhémence accompagné par Tommy Flanagan, Ron Carter et Art Taylor.
    Dans les sept autres thèmes, sortis initialement dans l'album "Take a number from one to ten", le ténor de Golson, seul sur le premier titre, est rejoint petit à petit par six autres instrumentistes, pour une formation qui s'étoffe donc de plage en plage du solo au septet.
    Le saxophoniste, au centre des deux sessions, est impérial !

    par "barthielerry"


    Tracklist :
    01. Sock Cha
    02. Mad About The Boy
    03. Just By Myself
    04. Shades Of Stein
    05. My Romance
    06. Just In Time
    07. You're My Thrill
    08. My Heart Belongs To Daddy
    09. The Best Thing For You Is Me
    10. Impromptune
    11. Little Karin
    12. Swing It
    13. I Fall In Love Too Easily

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  • http://ecx.images-amazon.com/images/I/518NBCHF40L._SL500_AA300_.jpg

    http://omeravital.com

    http://www.myspace.com/omeravitalmusic

    Origine du Groupe : North America
    Style : Jazz , Jazz World , Instrumental
    Sortie : 1996

    Bassist and composer Omer Avital assembled an especially intriguing line-up for ASKING NO PERMISSION, a live date recorded at New York City's famed jazz club Small's. The sextet features four saxophonists, creating an expansive, careening sound and plenty of options for soloing. Ironically, Avital's bass is still featured prominently, as is his songwriting (six of the album's seven cuts are his). ASKING NO PERMISSION is entrenched in bop and post-bop idioms, but the sensibility driving it is relentlessly fresh and contemporary.

    by http://www.cduniverse.com


    Tracklist :   
    1. Know What I Mean?! - 11:26
    2. Lullaby Of The Leaves (Petekere/Young) - 08:42
    3. Ballad - 02:57
    4. Devil Head - 08:51
    5. 12 Tribes - 15:22
    6. Kentucky Girl - 14:55
    7. The Field - 12:02

    All compositions by Omer Avital (Abutbul Music/ASCAP), except where otherwise indicated.

    Omer Avital (bass)
    Ali Jackson (drums)
    Mark Turner (tenor sax)
    Gregory Tardy (tenor sax, flute)
    Myron Walden (alto sax)
    Charles Owens (tenor sax)

     

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  • http://patrick.lecordier.pagesperso-orange.fr/ArtBlakeyliasonsdangereuses.JPG

    http://fr.wikipedia.org/wiki/Art_Blakey

    http://en.wikipedia.org/wiki/Art_Blakey

    Origine du Groupe : North America
    Style : Jazz
    Sortie : 1959

    This is a 24-bit compact disc reissue of the original LP released on Fontana (LP 680 203). Also features an additional take (track 10), taken from Fontana EP 460 660. Originally recorded at Nola Studio, New York, on July 28 & 29, 1959. Original LP released in 1959.
    Artistic producer, Marcel Romano. Original sound engineer, Tom Nola. Remastered for reissue at Art en Son Studio, Paris, by Alexis Frenkel. Prepared for reissue by Bruno Guermonprez, François L? Xu?n, and Michel Mercier.
    All tracks written by Duke Jordan (alias Jacques Marray). Jymie Merritt listed as ‘Jimmy Merritt’ on the release.

    by http://jazzismylife.wordpress.com


    Tracklist :
    1 No Problem (1st version)     7:22
    2 No Hay Problema     4:34
    3 Prelude In Blue (? “L’ Esquinade”)     6:57 Piano – Duke Jordan
    4 Valmontana (1st version)     4:45
    5 Miguel’s Party     4:22
    6 Prelude In Blue (Chez Miguel)     5:52
    7 No Problem (2nd version)     5:58
    8 Weehawken Mad Pad     1:49
    9 Valmontana (2nd version)     4:32
    10 No Hay Problema (2nd version)     3:54

    LINEUP:
    Bass – Jymie Merritt
    Bongos – John Rodriguez* (tracks: 2-10)
    Congas – Tommy Lopez (tracks: 2-10) , William Rodriguez (tracks: 2-10)
    Drums – Art Blakey
    Piano – Bobby Timmons
    Soprano, Tenor Saxophone – Barney Wilen (tracks: 3, & 1, 4-9)
    Trumpet – Lee Morgan (tracks: 1, 4-9)

     

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