• http://pinboardblog.com/wp-content/uploads/2010/08/andreya1.jpg







    Origine du Groupe : U.K
    Style : Downtempo , Folk , Nu Soul , Electro , Acoustic
    Sortie : 2010
    Durée : 48min


    Par http://www.grandcrew.com

    Andreya Triana, Fink et Bonobo se sont réunis pour un concert exceptionnel dans le cadre des 20 ans de leur label: Ninja Tune.

    Pour célébrer ce grand moment, les 3 artistes ont livré une composition à 3 uniques où Andreya Triana nous fait (re)découvrir son album Lost Where I Belong accompagné de Bonobo qui l'a produit et Fink qui a co-écrit 2 titres avec elle.

    Le Centre George Pompidou a joué le rôle d'écrin pour ce magnifique concert où la fabuleuse voix d'Andreya Triana joue et virevolte avec la basse de Simon Green et le jeu toujours précis et délicat de Fink.

    En partenariat avec nos amis Iastar

    Tracklist :       
    01 - Draw The Stars
    02 - Stay The Same
    03 - Lost Where I Belong (free preview)
    04 - Make It Good (produced by Fink)
    06 - A Town Called Obsolete
    07 - Tea Leaf Dancers (produced by Flying Lotus)
    08 - The Keeper (produced by Bonobo)
    09 - Knightlite (produced by Bonobo)
    10 - Draw The Stars
    11. Credits

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  • http://www2.o-bb.net/~antennasia/web/wp-content/uploads/2010/07/antennasia_quscus_600.jpg



    Origine du Groupe : Japan
    Style : Downtempo , Electro , Trip Hop , Ambient , Lounge
    Sortie : 2010

    by Wesley  from http://genrewhiplash.blogspot.com

    I'm forcing myself to post something. I think I need to take a break from getting nowhere on my short story. My brain is also telling me to post something not asian, since it seems like I've been writing only about Japanese artists lately, but whatever. This is easier to write about for me since I've already listened to it a billion times, I haven't posted any trip hop yet, and they're one of my favorites in the genre. Anyway, this is the newest antennasia album after four years without a proper release. It has a slightly different feel to it compared to their earlier albums, almost leaning more toward ambient music at times, while also toning down their earlier introspective and haunting beats. While their earlier style was a huge part of what made me love them, this new direction isn't necessarily a bad thing, this is still a great album. At the same time though, I still wish I could hear a little bit more of that minimalistic bass heavy production from their previous albums.

    Like I said earlier, this album has a much lighter and more mellow sound than, say 2006's 23 Bluebird Street, Velo-city, but it's still distinctively antennasia. San's vocals are as beautiful as ever, floating on top of nerve's melodies. Much like the production, her vocals also much lighter, used more like another instrument in the tracks (not sure if I can say that if I don't think instruments were really used, oh well). Often, such as in Goats in a Blue Sky, she sings in almost a lazy slurred style, with many vocal melodies layered smoothly over each other, like a continuous stream of consciousness. Listening to her is almost like floating in a dream, with the many melodies washing over you like waves.


    Tracklist :   
       1. You Draw, I Swim feat. Hybrid
       2. Metronome Wiper
       3. Female River ("On Your Radio" Version)
       4. noanoa
       5. Last Birds (CTANKEP)
       6. Goats in a Blue Sky
       7. Gynoid
       8. The Cat in the Mirror
       9. Passion Show
      10. Stareater



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  • http://ecx.images-amazon.com/images/I/5197EJGEYXL._SL500_AA300_.jpg



    Origine du Groupe : Belgium
    Style : Nu-Jazz , Lounge , Downtempo
    Sortie : 2006

    From http://www.undomondo.com

    Who doesn’t love some uptempo nujazz with a female vocalist? Suitable for the sunny days trend started a post ago, here’s Briskey, brain child of Gert Keunen, a journalist, record company manager and concert promoter from Holland.

    The band is a six-piece including a flugelhorn on some songs and you’ll realize how much the music is rooted in the 30s 40s big band era, in the first few seconds of “White would be Tacky“, the brasswork is very groovy here. The second song has an incredible rimshot beat and wailing brass, and I think that’s the main reason I chose this song over others. There are many more good songs on this album, and the album has a high fun factor, a decent pop-nujazz album. Check out if you like bands like Herbaliser, De-Phazz, St. Germain or labelmates Buscemi.

    Tracklist :   
    1 Kosmo And Yahoodi (Charivari remix) (6:30)
    2 Terra Notta (4:07)
    3 Accroche Toi Ninochka (4:59)
    4 You've Got Some (Under The Sofa) (6:35)
    5 La Stupenza (5:16)
    6 Blind-Sided Caboodle (4:34)
    7 White Would Be Tacky (3:43)
    8 Mocking Ducks (6:06)
    9 Sweltering Sirocco (3:47)
    10 Two Orphans In A Storm (4:59)
    11 Kosmo And Yahoodi (5:48)
    12 Humphrey's Donut (6:10)


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  • http://www.ideology.de/archives/id063_frontcover_mittel.jpg



    Origine du Groupe : U.K
    Style : Downtempo Nu-Jazz , Trip Hop , Lounge , Electro
    Sortie : 2010

    [Attribution-Noncommercial-No Derivative Works 3.0]






    <script src="http://mediaplayer.yahoo.com/js" type="text/javascript"> </script>

    By http://netlabelsrevue.blogspot.com

    Voici le genre de production de qualité à laquelle on est habitué de la part du netlabel iD.EOLOGY mais dont ne se lasse pas. Il s’agit cette fois d’un album de downtempo, soul, jazz vocal, absolument irrésistible et que les amateurs ne se priveront pas d'aller découvrir. Le genre de petite chose qu’affectionnerait sans doute Gilles Peterson, tant la musique de Tracing Arcs rappelle ce qu’on peut entendre sur les compilations du fameux DJ anglais.
    Ultra facile à écouter, rempli de sonorités chaleureuses et porté par la voix sensuelle et puissante de Fran Kapelle, ce disque fait partie, incontestablement des plus belles réussites du netlabel allemand depuis sa création.

    By http://www.ideology.de

    English: According to popular belief, beauty is in the eye of the beholder. To some it is all about a slick, symmetrical surface, an immaculate appearance. Others find beauty in moments of truthfulness when they recognize themselves in their counterparts.

    On their iD.EOLOGY debut Tracing Arcs combine both aspects into a thrilling aesthetic overall experience. As soon as the first notes hit your ears, a film noir starts rolling in your head. Classy triphop beats, elaborate jazz-chords and deep upright basses skillfully sketch out a closed-off world in subtle shades of black. With the dark attraction of a femme fatale, the nuanced and seductive voice of Fran Kapelle enters the scene, inevitably putting the listener under her spell. With every word of the sometimes cryptic, sometimes promising lyrics he keeps falling for her further and without notice, he's become a detective in his own case, delving deeper and deeper into a secret that lies hidden within.

    Whatever the findings may be, one thing is as sure as fate: when self-awareness happens through an album as euphonic and exciting as this, then just about any beholder of your choice will have the same words for it: beautiful, so beautiful.

    Deutsch: Einer verbreiteten Ansicht zufolge liegt Schönheit im Auge des Betrachters. Für Manche besteht sie vor allem in einer glatten, symmetrischen Oberfläche, einem makellosen Äußeren. Andere finden Schönheit eher in Momenten der Wahrhaftigkeit, in denen sie sich selbst im Gegenüber erkennen.

    Auf ihrem iD.EOLOGY Debut verbinden Tracing Arcs beide Aspekte zu einem eindringlichen ästhetischen Gesamterlebnis. Sobald die ersten Noten erklingen, beginnt im Kopfkino ein Film Noir. Edle Triphop-Beats, raffinierte Jazzharmonien und tiefe Standbässe zeichnen gekonnt eine abgeschlossene Welt in subtilen Schwarzschattierungen. Die nuancierte, verführerische Stimme von Fran Kapelle durchwirkt die Szenerie mit der dunklen Anziehungskraft einer Femme Fatale und zieht den Hörer unweigerlich in ihren Bann. Mit jedem Wort der mal kryptischen, mal verheißungsvollen Texte verfällt er ihr mehr und mehr und wird - ohne es überhaupt zu bemerken - zu einem Detektiv in eigener Sache, ganz versunken in der Suche nach einem Geheimnis, das in ihm selbst verborgen liegt.

    Was auch immer man schließlich vorfindet, eines ist gewiss: wenn Selbsterkenntnis durch ein so wohlklingendes und aufregendes Album wie dieses entsteht, dann wird so ziemlich jeder Betrachter dafür dieselben Worte haben: beautiful, so beautiful.


    All Tracks composed, recorded, mixed & produced by Tracing Arcs

    Tracing Arcs are:
    Fran Kapelle - Vocals/lyrics
    Paul H. Addie - Keyboards/Programming
    Violet M. Williams - Backing Vocals (Tracks 1,2,4,6)
    Terry Pack - Acoustic Bass (Tracks 3,7)

    Artwork by Sir Pinski


    id063_frontcover_klein.jpg id063_backcover_klein.jpg id063_cdlabel_klein.gif
    Download Frontcover
    Download Backcover
    Download CD-Label
    Cover-Artwork by Sir Pinski

    Tracklist :
    01. Deep Breath           
    02. Consequence of Love    
    03. Pebbles & Weed    
    04. So Beautiful    
    05. Sheep & Tides (for Big Al)    
    06. Wildworld    
    07. Recovery 


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  • http://m.onet.pl/_m/4b7828d431f7a62afc84a300c5fcdad8,34,1.jpg



    Origine du Groupe : V.A World
    Style : Electro Ambient , Downtempo , Lounge , Alternative
    Sortie : 2010

    La première le nouvel album Andrzej Smolik. Il s'agit de la quatrième artiste album et sur elle SMOLIK chanteurs extraordinaires: sexy Emmanuelle Seigner, mystérieux Kev Fox, excellent Gaba Kulka, romance Natalia Grosiak (Mikromusic), connu pour ses concerts et exotiques Smolik Sqbass Joao T. De Sousa. A la "4", vous pouvez également entendre les chanteurs célèbres des précédents albums Smolik: soulowego Victor Davis, Mika Urbaniak extraordinaire captivante Kasia Kurzawska (SOFA).

    by http://www.kayax.net

    Tracklist :   
    01. S.O.S Songs (feat. Gaba Kulka)
    02. Not Always Happy (feat. Joao T. De Sousa)
    03. Memotion (feat. Mika Urbaniak)
    04. Forget Me Not (feat. Emmanuelle Seigner)
    05. V Girl feat. (Victor Davies)
    06. Never Sing The Love Songs (feat. Kasia Kurzawska)
    07. Piratsong (feat. Sqbass)
    08. Fades Away (feat. Natalia Grosiak)
    09. A Fotografia (feat. Joao T. De Sousa)
    10. L.O.O.T.T (feat. Ker Fox)


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