• http://ekladata.com/QJFqSPv6flHdzPRfibn98bFIH00.jpg

    http://www.popachubby.com

    http://www.myspace.com/popachubbyband

    http://www.waltertrout.com

    http://www.myspace.com/waltertrout

    Origine du Groupe : North America
    Style : Blues Rock
    Sortie : 2000

    http://loreillebleue.free.fr/images/Photos/Walter_Trout_01G_CR.jpg

     

     

     

     


     

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    From Wikipedia :
    Popa Chubby, de son vrai nom Ted Horowitz, est un chanteur et guitariste  de blues  et de rock  new-yorkais.

    Originaire du Bronx à New York, son style agressif est influencé par Willie Dixon ainsi que Jimi Hendrix, Randy Rhoads, Albert King ou encore Danny Gatton créant ainsi une synthèse Blues, Rock, Funk, Pop très personnelle mais transpirant le blues new-yorkais. Comme Calvin Russell, il a beaucoup plus de succès en France qu’aux États-Unis, où il n’est connu que des spécialistes, bien que la situation ait tendance à s'inverser. Son nom de scène est tiré d’une expression d'argot, "pop a chubby", qui veut dire "avoir une érection", mais peut également faire référence à son embonpoint (popa/papa joufflu). Chacun de ses albums est un concept en lui-même : un album de ballades avec des chansons comme Hallelujah, de rock-punk pur ("If the Diesel Don't Get You Then the Jet Fuel Will"), ou encore de blues comme "Back Door Man" où l'on sent bien la patte du "maître . Perfectionniste, c'est le roi des coups de gueule .

    En 2006 il entame une tournée en la commémoration de Jimi Hendrix, celui qui lui a fait découvrir le rock à la radio avec son Purple Haze. Il possède une collection de guitares dont une Fender que le fabricant n'avait pas répertoriée.

    Il joue également de la batterie, qu'il lui arrive de pratiquer sur scène.


    From Wikipedia :
    Walter Trout (born March 6, 1951, Ocean City, New Jersey, United States is an American blues guitarist, singer and songwriter.

    Trout's career began on the Jersey coast scene of the late 1960s and early 1970s. He then decided to relocate to Los Angeles where he became a sideman for Percy Mayfield and Deacon Jones. He also worked in the bands of John Lee Hooker and Joe Tex.

    In 1981 be became the guitarist for Canned Heat.[1] This led to an invitation to play in John Mayall's Bluesbreakers where he shared the stage with fellow guitarist Coco Montoya. He left the Bluesbreakers in 1989 and formed the 'Walter Trout Band' which developed a successful following in Europe.

    In 1994 the official Walter Trout Fan Club for the Netherlands and Belgium was founded, followed in 1996 by the official International Fan Club who has members in 14 countries in Europe, America, Asia and Australia. In 2006 the official International Fan club celebrated its tenth anniversary by giving fan club members an exclusive live CD recorded in Las Vegas, Nevada, which was the last performance of the late bassist, Jimmy Trapp, who died in 2005.

    In 1998 Trout released his self-titled US debut album and renamed his band 'Walter Trout and the Free Radicals' (later renamed 'Walter Trout and the Radicals' and currently simply 'Walter Trout'). Since that time Trout has been recording and touring in North America, Europe and India.

    In 2002, he was featured on the Bo Diddley tribute album, Hey Bo Diddley - A Tribute!, performing the song "Road Runner" and many more guest appearances on other recordings.

    The 2006 release Full Circle, meant that Trout realized his dream of creating an album with some of his most admired musicians, including John Mayall, Coco Montoya, and Joe Bonamassa, among others.
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  • http://ecx.images-amazon.com/images/I/41HTZHDG0FL._SL500_AA300_.jpg

    http://fr.wikipedia.org/wiki/Mississippi_John_Hurt

    Origine du Groupe : V.A
    Style : Blues , Folk , Country , Alternative Rock
    Sortie : 2001

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    Avalon Blues est un album hommage à la musique de Mississippi John Hurt, le célèbre bluesman.
    Ben Harper y interprète Sliding Delta à la guitare. Pour lui, sans Mississippi John Hurt, il n'aura jamais fait de musique, son influence est très importante chez Ben Harper.
    Dans cet album on peut retrouver également Taj Mahal ou encore Beck.

    par Les collaborations
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    Tracklist :
    1. Frankie &  Albert - Chirs Smither
    2. Avalon, My Home Town - Bruce Cockburn
    3. Angels Laid Him Away - Lucinda Williams
    4. Here Am I, Oh Lord, Send Me - Alvin Youngblood Hart
    5. Candy Man - Steve & Justin Earle
    6. Monday Morning Blues - Peter Case & Dave Alvin
    7. Sliding Delta - Ben Harper
    8. Chicken - Geoff Muldaur (with Jenni & Claire Muldaur)
    9. Make Me A Pallet On Your Floor - Mark Selby
    10. Stagolee - Beck
    11. Since I've Laid My Burden Down - Victoria Williams
    12. Pay Day - Bill Morrissey
    13. My Creole Belle - Taj Mahal
    14. Beulah Land - Gillian Welch
    15. I'm Satisfied - John Hiatt

     

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  • http://www.bobtjeblues.com/files/images/Eric-Sardinas-and-Big-Motor---Selftitled-copy.jpg

    Note :

    http://ericsardinas.com

    http://www.myspace.com/ericsardinasband


    Origine du Groupe : North America
    Style : Rock , Blues
    Sortie : 2008

    Eric Sardinas is a bit of an enigma. The long-haired, tattooed guitarslinger would seem more at home cranking out scorched-earth heavy metal rather than playing in the energetic blues-rock style that he's perfected. One might expect Sardinas to strap on an oddly-shaped B.C. Rich Warlock, or even a Dean Dimebag tribute guitar instead of the custom-made Dobro resonator guitars that he prefers. No matter your expectations, you can always depend on Eric Sardinas to surprise and entertain.
    Learning The Blues At 78rpm

    Sardinas discovered the Delta blues at the unbelievably young age of six, when he first picked up a guitar. Spinning ancient 78s, he developed his unique style of playing listening to Charley Patton, Son House, and Robert Johnson before moving on to modern-era blues guitarists like Muddy Waters, Elmore James, and Otis Rush. Throw in a dash of British blues-rock, hard rock, and more than a little Jimi Hendrix and Stevie Ray Vaughan influence, and you'll have the unique, electrifying, exhilarating sound of Eric Sardinas.
    Street Corner Blues

    After a bit of wandering, Sardinas landed in Los Angeles in 1990. At first he survived much like his early country-blues idols, performing with an acoustic guitar on the street corner for spare change. He later put together a band, the Eric Sardinas Project (ESP), honing his sound by performing 300 nights a year for nearly six years. The band's hard work paid off, earning ESP a gig touring with Johnny Winter. Sardinas and crew recorded their debut, Treat Me Right, in 1999 for the respected jazz/blues label Evidence. Sardinas subsequently released albums in 2001 and 2003, and has since performed with bluesmen like Hubert Sumlin and David "Honeyboy" Edwards.

    With his fourth album, the generically-titled Eric Sardinas and Big Motor, the enigmatic guitarist manages to turn the humble Dobro into a true musical weapon of mass destruction. Although Delta blues players would often use acoustic resonator guitars to play louder, and be heard above the juke-joint crowd, Sardinas wields his electrified Dobro as a samurai sword, slashing-and-crashing through these songs like some screaming bird of prey swooping down on dinner.
    Eric Sardinas And Big Motor

    With Eric Sardinas and Big Motor, Sardinas further refines his trademark sonic fury, mixing in bits and pieces of 1960s-styled British blooze-rock, John Lee-inspired boogie, Southern soul, old school Delta blues, even a bit of twangy, country-tinged blues (think early-1970s Johnny Winter). Bass guitarist Levell Price and drummer Patrick Caccia provide a locomotive beat behind Sardinas' six-string pyrotechnics; together, the trio raises a lot of joyful noise for three guys.

    The album-opening "All I Need" is a 120mph raver, built upon an unrelenting rhythm, embroidered with taut, barbed-wire fretwork. The infectious, melodic "Ride" hides its pop overtones beneath a soaring guitar line, a Gospel-tinged chorus, and a Hendrix heartbeat...kind of reminds me of Clapton-era Delaney & Bonnie. The up-tempo "Gone To Memphis" is a soulful, uplifting tune with some finely-engraved Dobro work and warm vocal harmonies.

    Lest listeners think that Sardinas has gone soft, the rollicking boogie-based "It's Nothing New" turns the amp up a notch, and by the time that ES and Big Motor kick into the juke-joint stomp "Just Like That," you'll be turning over chairs and dancing on the table. Sardinas' showcases some nasty, menacing slide-playing here as the band bashes-and-crashes behind his switchblade fretwork. A relatively straight-forward cover of the Elvis gem "Burning Love" displays Sardinas' playful side, while a cover of Tony Joe White's "As The Crow Flies" offers up a true 180-proof Delta gumbo with a soulful vocal turn and imaginative six-string solos.
    The Reverend's Bottom Line

    Sardinas has too often been dismissed as a mere Stevie Ray clone or Hendrix acolyte, both comparisons sadly missing the mark. As shown by Eric Sardinas and Big Motor, there's a lot more going on here than meets the eye (or ear). There are many shades and textures to the songs here, and if Sardinas primarily mines nuggets of musical gold from an overworked blues-rock idiom, he's done so in his own unique style. Falling firmly on the harder-rocking side of the blues-rock equation, Eric Sardinas nevertheless plays a Dobro like nobody's business, and the songs here showcase an artist still having fun and exploring the limits of his talents and the music. (Favored Nations Records)

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    Tracklist :
       1. All I Need
       2. Ride
       3. Find My Heart
       4. Gone To Memphis
       5. It's Nothin' New
       6. This Time
       7. Just Like That
       8. Burning Love
       9. Wonderin' Blues
      10. Door To Diamonds
      11. As The Crow Flies

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  • http://ecx.images-amazon.com/images/I/61jQA9x3ZGL._SS500_.jpg

    Note :

    http://www.joanneshawtaylor.com

    http://www.myspace.com/joanneshawtaylor


    When Dave Stewart had his big experience, Joanne Shaw Taylor was only 16. Her skills at the Telecaster were so perfect that the bluesfan and Eurythmics-frontman asked her to join his supergroup D.U.P. to tour europe in 2002. She was also offered a record contract but the label went bust. Today Joanne is 23 and happy about the fact that she took her time with the recording debut: "I wanted to take time out to really work on my craft and make sure that when I did an album it was the best that I could do."

    For White Sugar Joanne took a plane to Memphis where her label RUF had booked Jim Gaines studio. Jim had worked with some of Joanne´s idols like Albert Collins and Stevie Ray Vaughan. He brought in the experienced sessionmen Steve Potts (drums) and Dave Smith (bass).

    "Working with these guys was totally easy. I knew of them because of Luther Allison and the Jonny Lang albums. They didn't know the tracks until five minutes before we recorded them. I made them listen to the songs once and then play them. It was fantastic. They've got so much feeling and soul. They are amazing guys to work with."

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    Origine du Groupe : North America
    Style : Blues Rock
    Sortie : 2009

    Tracklist :
    1. Going Home (4:50)
    2. Just Another Word (4:08)
    3. Bones (5:22)
    4. Who Do You Want Me To Be? (3:35)
    5. Time Has Come (5:52)
    6. White Sugar (4:27)
    7. Kiss The Ground Goodbye (4:40)
    8. Heavy Heart (5:20)
    9. Watch 'Em Burn (5:08)
    10. Blackest Day (8:17)

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  • http://www.blindpigrecords.com/images/covers/BP-5097.jpg

    Note : ++

    http://www.popachubby.com

    http://www.myspace.com/popachubbyband

    From Wikipedia :

    Popa Chubby, de son vrai nom Ted Horowitz, est un chanteur et guitariste  de blues  et de rock  new-yorkais.

    Originaire du Bronx à New York, son style agressif est influencé par Willie Dixon ainsi que Jimi Hendrix, Albert King ou encore Danny Gatton créant ainsi une synthèse Blues, Rock, Funk, Pop très personnelle mais transpirant le blues new-yorkais. Comme Calvin Russell, il a beaucoup plus de succès en France  qu’aux États-Unis, où il n’est connu que des spécialistes, bien que la situation ait tendance à s'inverser[réf. nécessaire]. Son nom de scène est tiré d’une expression d'argot, "pop a chubby", qui veut dire "avoir une érection", mais peut également faire référence à son embonpoint (popa/papa joufflu). Chacun de ses albums est un concept en lui-même : un album de ballades avec des chansons comme Hallelujah, de rock-punk pur ("If the Diesel Don't Get You Then the Jet Fuel Will"), ou encore de blues comme "Back Door Man" où l'on sent bien la patte du "maître"[réf. nécessaire]. Perfectionniste, c'est le roi des coups de gueule.

    En 2006 il entame une tournée en la commémoration de Jimi Hendrix, celui qui lui a fait découvrir le rock à la radio avec son Purple Haze. Il possède une collection de guitares dont une Fender que le fabricant n'avait pas répertoriée[réf. nécessaire].

    Il joue également de la batterie, qu'il lui arrive de pratiquer sur scène.

     

     

    Origine du Groupe : North America

    Style : Rock , Blues

    Sortie : 2005


    Tracklist :

    01 Hey joe [live] - 6:13
    02 Dirty lie [live] - 7:27
    03 Back door man [live] - 6:49
    04 I can't see the light of day [live] - 7:10
    05 If the diesel don't get you then the jet fuel will [live] - 5:22
    06 Sweet goddess of love & beer [live] - 6:14
    07 Motorcycle mama [live] - 6:54
    08 Somebody let the devil out [live] - 5:52
    09 Hallelujah [live] - 6:53
    10 Keep on the sunny side [live] - 4:07
    11 Time is killing me [live] - 6:26
    12 How'd a white boy get the blues? [live] - 3:10

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